Posts in Press 2013
PROVINCETOWN BANNER

While Martin has been compared to Truro’s Edward Hopper and Maine’s Andrew Wyeth, her brushwork has an open, flowing spontaneity; still, her subject has much in common with painters whose melding of landscape and structure offer a template for isolation and separation.

Martin’s paintings share Hopper’s sense of mystery: scenes tiptoe close enough to their off-balance subjects without intruding. In the desert paintings, Martin’s interest is what is lost when hardscrabble land attracts a developer’s eye; in her “Narrow Lands” series, a soft palette intimates the loss of the built environment, abandoned or gentrified into oblivion.

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